White Christmas

A couple of weeks ago I wrote the following:

A postcard scene greeted me this morning–a lovely snow-covered streetscape, flakes clinging to the least little twig. For a brief moment this pure white blanket conceals the ugliness of life in the inner city and surrounds me with peace.
The birds–so far only sparrows–have discovered the feeders I filled last night. Their flutter and flurry delights me and excites my middle-aged cat, who himself erupts into bird-like noises.

Then all became chaos–Christmas rush even though I do not go to malls and avoid that madness at all costs. But there are people to visit, letters to write–you know, real letters, with paper and ink–folks to help, memories to contemplate. . . . And the lovely snow lingers.

My mother would have been 89 yesterday. Reminders of her are especially strong as I unwrap decades-old Christmas ornaments that she passed on to me, creating a “house full of sugarplums” just as she did every year. Yesterday I wrestled the old bottle-brush Christmas tree out of the garage and into the house. Living out in the northern Indiana countryside, we always had a real tree. One year, after I left home, they decided to get an artificial one–and this is it. Admittedly, it is rather tired and certainly not especially realistic, but draped in splendor with lights and ornaments and memories, it is a true Christmas tree. A few delicate ornaments of the thinnest glass from Germany, brought over by my grandmother’s family over a hundred years ago share space with homemade oddities from friends who had more art than money to give at Christmas, and how I cherish these! There is a marvelously-rendered fountain pen of cardboard given by a starving artist to a starving writer, a nicely crafted sled made of ice cream sticks from an older gentleman who helped me get started on some of the carpentry needed for the 110-year-old house I live in, an embroidered teapot commemorating my efforts to save the cherished L.S. Ayres Tea Room. . .

I close with a poem I wrote a long time ago:

Snow-covered city dripping sun-sparkles.
Comes the season
jolly season
beautiful season.
Rush rush the people
can’t see the pretty season
Too busy worrying about Aunt Martha and what will I give her–
not more than she gives me, how embarrassing.

Spirit flits about
opening hearts here and there.
Rush rush it must hit all it can.
Oh happiness
comes to those the spirit enters–
rush rush give all they can
‘cause it’s wonderful you know
and who cares if they get anything
back ‘cause they already did.
Smile at the frantic people ‘cause
sometimes they stop long enough
to think and then the spirit can hit them.

Ding ding go santas on corners
give and smile and feel good.
Eases your conscience doesn’t it.
It’s nice this season.
Don’t you wish it could last.

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“Those Nice Bright Colors”

Yesterday I sent off my last roll of Kodachrome to be developed to the last place in the country that does it––and which will cease doing this process the end of this month.  In truth I thought I had sent it all in a few months ago.  The results––eight rolls––were stunning!  But a ninth roll had slipped away from the corner of the desk where I was collecting them, and so, if I am to see what I photographed in all its brilliant color, I had to hurry and send it, along with a few rolls of Ektachrome and some color print film.  Dwayne’s Photo in Parsons, Kansas, does it all, but there will never be another wonder like Kodachrome with its richness, depth, and contrast.

Those last rolls I sent in included some great subjects.  Of course there are abundant shots of my beloved Lake Michigan and several Carnegie libraries around the state where I have been peddling my recent book on Indiana state parks.  But perhaps the most magnificent slides are those of Niagara Falls.   Serendipity brought me the opportunity to visit the Falls three times in the last two years.   Part of the Great Lakes system that sings to my soul, Niagara is to me one of the most spiritual places on earth.  I had the good fortune twice to visit during March, when few people are there to mill around the overlook and ask in ten languages “should I use my flash?”  (I was also there in August.  Niagara is a must-see for many foreign visitors.  Many.)  New York state expects these visitors to be sensible, and I am grateful.  No huge barriers obstruct the view.  From Goat Island one actually could wade right into the water atop the Falls (not recommended unless suicide is your goal.)   The roar, which one can hear several blocks away, is hypnotic.  The ground vibrates.  Looking at these slides, it appears I was hanging right over the Falls.  (Well, I was.)   What better subject for my last Kodachrome?  Some of these will be in my photography show at the Plainfield (Indiana) Public Library next June.

All these musings may be a mystery to many.  Film?  What, haven’t I gone digital yet?  No, and thanks to those good folks in Kansas, I can continue for some time to shoot real slides (although alas, not Kodachrome) that I will share by means of real projectors, so that the light shining through brings forth “those nice bright colors” that Paul Simon sang about so long ago.

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21st Century–My First Step

“So do you have a website?” friends and colleagues have asked.  “Do you have a blog?”    Well, I am a historian who does in fact live in the past at times.  “I see dead people”––no, not ghosts (perhaps a subject for another day), but I do see towns in their heyday from the remnants left behind, and I am there.  But, truth be told, I am more than a bit of a Luddite.  No dishwasher, no microwave––and I have a working dial telephone in my living room.

At birth I was blessed with a great gift––that of wonder. There is wonder in the wind and the stars and sandhill cranes flying overhead, and also in dandelions springing up through cracked concrete and old sad houses needing love and people with the eyes to see their beauty.

Once upon a time I wrote about these sorts of things and more, in “alternative” newspapers that popped up like toadstools after a rain and often disappeared just as quickly.  I wrote for Metro, The Indianapolis Weekly, The Indianapolis Citizen––and several others long forgotten.  These sorts of papers are gone, but in many ways, blogs have replaced them.  In the old days I wrote longhand with number 2 pencils on a yellow pad; now it’s on a keyboard, but in weeks and months to come I will write of old buildings and old towns (I do a lot of work in historic preservation); the earth and its songs, my wanderings, and throughout all, the wonder.

I begin this new adventure on the first of December, and my heart dances in the season’s first snowfall.

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